Friday, November 6, 2026

2026 Women In Film (WIF) Honors

On Thursday(November 6th) the 2026 Women In Film (WIF) Honors was held at The Beverly Hilton on in Beverly Hills, California. All of the guests were wearing MAX MARA unless otherwise stated. 

Kerry Washington wore a tailored, draped jacquard jacket featuring a knot detail layered over an edgy zebra lace tank top and matched to a textured cloquĂ© mini skirt from the BALMAIN FALL 2026 collection. Her look was sharp, architectural, and effortlessly commanding—fittingly powerful for an event celebrating women shaping the entertainment industry.


Adria Arjona wore a RESORT 2027 ivory dress in a clean silhouette, and an understated leg-baring slit that exuded effortless elegance. There is no doubt that this dress looked great on her, but I dislike that she wore matching pumps. She should have kept the runway's heel. The dark red heels would added a rich, sophisticated pop of color that draws the eye downward and breaks up the monochrome or muted tone.



Caylee Cowan wore a RESORT 2027 ivory sequin dress and the unexpected twist came via the contrasting yellow straps that gave the neutral palette a youthful, energetic contrast. I can't say that I like the color on her and there is just too much fabric at the hem. 




Emmy Rossum stepped out in an all-black ensemble from the KHAITE FALL 2026 collection. True to Khaite’s signature brand of moody, architectural minimalism, the look traded traditional red-carpet glitz for high-impact, understated drama. Complete with a sharp, slicked-back bun, Rossum leaned into a mature, unapologetically edgy aesthetic that felt less like a standard gown moment and more like a high-fashion statement—proving that quiet intensity often makes the loudest noise in the room. Having said that, I kinda wish a silver chain belt was added. 




Jaime Ray Newman wore a FALL 2026 sleek, sophisticated look from the brand that perfectly matched the evening’s spirit of timeless grace and female solidarity. On the runway, the rich burgundy sleeveless cashmere sweater and silk floor-length maxi skirt was accessorized with coordinating suede gloves which she left out. I don't think that she needed the gloves, but she needed some gold or silver statement jewelry to enhance her look. 




Jane Fonda showed us what effortless power dressing looks like. She struck a pose in a sharp, rich green suit by the presenting sponsor. She has proved once again that she is the undisputed queen of sharp tailoring and activist elegance.





Natalia Bryant wore a black one-shoulder dress, opting for a striking, minimal aesthetic. Her dress was accented with gold hardware on the shoulder which coordinated with her gold sandals. Although she looked pretty, her look called for jewelry which it is desperately missing. 

Hannah Waddingham exuded pure elegance and undeniable confidence wearing a green silk dress with a slight high-low hem detail. Her black BETZABE mules work nicely with her dress, but I wish that they were gold. Also, the dress is a little too tight on the bust. 




Olivia Mun bypassed the traditional evening gown in favor of a serene, monochromatic RESORT 2027 look. She wore an ivory sequin mandarin collar top with delicate decorative loop (frog) closures and a matching, fluid floor-length skirt. While the silhouette remained clean and minimalist, the subtle texture, reflective sheen, and intricate fastening details gave the pale palette a quiet, elevated edge.



Salma Hayek wore a BOTTEGA VENETA asymmetric, gathered navy blue jersey gown featuring quarter sleeves, a round neckline, and a gold-accented waist. She accessorized with the BV 'Andiamo' clutch, gold jewelry and GUCCI heels. On this occasion, her quiet, tailored luxury spoke volumes. 

Credit: InstarImages, Bottega Veneta, WWD.com, Max Mara, Khaite,



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